#Clash of the titans 1981 film movie#
#Clash of the titans 1981 film tv#

He retired in 1994.ДavisвЂ™s 1959 marriage to Shirley Smith ended in divorce. His final feature film was Ordeal by Innocence (1984), starring Donald Sutherland, Faye Dunaway and Christopher Plummer.

#Clash of the titans 1981 film tv#

His other feature-length dramas for TV included The Sign of Four (1983), starring Ian Richardson as Sherlock Holmes, Camille (1984), with Greta Scacchi and Colin Firth, and The Man Who Lived at the Ritz (1989), with Joss Ackland. He also directed I Was Happy Here (1966), OвЂ™BrienвЂ™s adaptation of her story A Woman by the Seaside, starring Sarah Miles, and worked with the author again on The Country Girls (1983), an atmospheric retelling of her novel for television. His many as camera operator included Freud, HustonвЂ™s 1962 biopic about the psychiatrist. On demob, Davis resumed life as a clapper loader on films such as the comedy The Happiest Days of Your Life (1950) and The African Queen (1951, directed by John Huston), before almost 20 movies as a focus puller. After covering the Japanese surrender in Singapore, he filmed Jewish refugees arriving in Palestine and some of his footage is held by the Imperial War Museum. Following training in battle photography at Pinewood studios, he served in the army (1945-49) as a sergeant in South East Asia Command seconded to the Army Film and Photographic Unit. On leaving in 1944, he joined Riverside studios in Hammersmith as a clapper loader, working on two comedies, DonвЂ™t Take It to Heart and ItвЂ™s in the Bag, before his call-up for wartime service.

Having built his own darkroom at home and enjoyed watching Humphrey Bogart films, he was more enthusiastic about studying at Regent Street PolytechnicвЂ™s school of photography and cinematography. He hated his schooldays at Belmont Abbey, Hereford. Another comedy, A Nice Girl Like Me (1969), starring Barbara Ferris facing life as an unmarried mother, was DavisвЂ™s final feature film before switching to television, where he worked for a quarter of a century.Дesmond was born in Wandsworth, south-west London, to Dorothy (nee Newbold) and Isaac (known as William) Davis, a director of the optical lens manufacturer Newbold & Co. The director reunited Tushingham and Redgrave for the slapstick comedy Smashing Time (1967), set in swinging London.

Girl With Green Eyes won a Golden Globe award in the US, where Variety wrote: вЂњDavis is imaginative, prepared to take chances and has the sympathy to draw perceptive performances from his cast.вЂќ Davis recalled Finch arriving on set every morning вЂњslightly red-eyedвЂќ after nights on the town вЂ“ вЂњbut he knew his lines absolutely, had done his homework, somewhere, somehowвЂќ. Tushingham starred, with Lynn Redgrave as the girlвЂ™s friend and Peter Finch as her lover. His first film, Girl With Green Eyes (1964), was one of his finest, with Edna OвЂ™Brien adapting her novel The Lonely Girl, about a naive young woman in rural Ireland falling for a sophisticated older man. вЂњIt entirely changed my life in one moment.вЂќ

#Clash of the titans 1981 film movie#

The movie won four Oscars and went on to become a comedy classic while Woodfall, RichardsonвЂ™s production company, gave Davis the chance to begin a 30-year career as a director.

This was reflected in the move away from gritty black-and-white film to colour, which Davis and Lassally embraced as they shot evocatively in rambling countryside.Дesmond Davis, right, with the actor Peter Finch His final film alongside Richardson, Tom Jones (1963), John OsborneвЂ™s adaptation of Henry FieldingвЂ™s 18th-century novel, was a switch to period drama, described by the director as his вЂњholidayвЂќ from social realism, although the bawdy tale of Albert FinneyвЂ™s country lad seeking women, food and rowdy adventures bore comparison with the freedoms of the swinging 60s era that was just getting under way. He added that he welcomed the chance to shoot entirely on location after вЂњworking in a stuffy, studio-bound atmosphere making films by numbers for PinewoodвЂќ.Дavis then shot The Loneliness of the Long-Distance Runner (1962), with Tom Courtenay as the borstal juvenile offender who shows talent as an athlete in Alan SillitoeвЂ™s screenplay from his own short story. Their use is especially noticeable in the scenes on Blackpool pier, where heavy camera tracks werenвЂ™t feasible.вЂќ вЂњI had form on that, as IвЂ™d been in the army film unit for three years during the second world war, shooting in near battlefield conditions. вЂњWe used Arriflex handheld cameras a lot,вЂќ Davis told the Guardian in 2018 for a feature on the making of A Taste of Honey. Photograph: Michael Ochs Archives/Getty Images left, and Rita Tushingham in Girl With Green Eyes, 1964, directed by Desmond Davis.